Portfolio Overview
This portfolio showcases a range of original sound design, composition, and post-production projects exploring cinematic sound, spatial audio, and experimental music techniques. The work spans orchestral scoring, binaural mixing, surround sound production, and electro-acoustic soundscape design, reflecting a strong focus on immersive audio experiences and storytelling through sound.
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Projects such as Avengers SFX + Composition Surround Master demonstrate large-scale post-production workflows, including rebuilding full cinematic soundtracks with dialogue, sound effects, and music for surround playback environments. Meanwhile, compositions like Electric Flare, Romance, and Oedipus Rex Theme explore melodic structure, atmosphere, and emotional scoring for narrative-driven content.
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Experimental and spatial audio work features prominently across projects such as Machine Takeover – Binaural Mix, Time – Binaural Mix, and Synthesised Warscape, which focus on headphone-based 3D audio techniques, layered sound design, and immersive environmental soundscapes. These projects highlight an interest in how sound placement and movement can shape listener perception.
Electro-acoustic and remix projects, including Ambient Remix of Waterduct and Electroacoustic Remix of Waterduct, showcase creative manipulation of source material, transforming acoustic recordings into evolving textures and atmospheric compositions. Together, this body of work reflects a balance between technical precision, creative experimentation, and cinematic storytelling.
The Avengers — Full Audio Post-Production Showcase
This portfolio piece is a full audio reimagining of a clip from The Avengers (2012), created as part of a professional sound design assignment. Sound elements were rebuilt from the ground up, including sound effects, dialogue, and music. Sound effects were designed using synthesis techniques in Logic Pro X and recorded on location using a Zoom field recorder, alongside studio-based work carried out in an SSL-equipped professional recording environment. Dialogue was recorded and mixed in a Hamisaki Square surround sound format to accurately position voices within the cinematic space.
The original score was replaced with a fully custom composition, written using the EastWest MIDI orchestral library to achieve a realistic, film-style orchestral sound. The final result demonstrates end-to-end audio post-production, combining technical precision with creative storytelling through sound.
Electric Flare
This portfolio piece is a full audio reimagining of a clip from The Avengers (2012), created as part of a professional sound design assignment. Sound elements were rebuilt from the ground up, including sound effects, dialogue, and music. Sound effects were designed using synthesis techniques in Logic Pro X and recorded on location using a Zoom field recorder, alongside studio-based work carried out in an SSL-equipped professional recording environment. Dialogue was recorded and mixed in a Hamisaki Square surround sound format to accurately position voices within the cinematic space.
The original score was replaced with a fully custom composition, written using the EastWest MIDI orchestral library to achieve a realistic, film-style orchestral sound. The final result demonstrates end-to-end audio post-production, combining technical precision with creative storytelling through sound.
